Mendelssohn・Mass,Sacred songs Literal Translation

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                                      (Japanese)


 Felix Mendelssohn
1858-1924
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The page of the literal translation for Mendelssohn's masses & anthems

It is needless to say that it is how important thing to sing when each word of the words is fully understood on the occasion of singing a vocal music text in music.
But there are not many sites or books which explain the word for word translation of the text.
This page was made by this viewpoint so that it could answer such needs at all. Though it is still only on the amateur stage, I want to make this a better page by everyone's support. I am happy if I could have an advice to me about a point to modify.

Though there are many fundamentally common words among various masses, each mass has its slightly different contents,structure and backgrounds.On the top of these contents,I tryed to explain its proper nouns and the special words and phrases used in masses as well.

 You can understand more easily the words if you study the text,listening the actual performance of CDs

 In case of printing,you are advised to download the excel file first and make an adjustments of its lay-out of the text.
(If you don't use MicrosoftExcel,you can make use of free soft OpenOffice.org
 If you have questions,adviecs or other communications pls email me to the adress、mondomusicale2006-hp@yahoo.co.jp  Y.Kawazu

 
John 1--The Word Became Flesh(1-1-14)
1In the beginning was the Word, and the Word was with God, and the Word was God. 2He was with God in the beginning.  3Through him all things were made; without him nothing was made that has been made. 4In him was life, and that life was the light of men.

 
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Mendelssohn Psalm 22 詩編 / 22編 英国大使館合唱団用

Mendelssohn Psalm 22 English Version For British Embassy Choir

     

    メンデルスゾーン:合唱曲集  シューマン、メンデルスゾーン/男声合唱作品集 
       


      

Jakob Ludwig Felix Mendelssohn Bartholdy, born and generally known as Felix Mendelssohn[1] (February 3, 1809 ? November 4, 1847) was a German composer, pianist and conductor of the early Romantic period. The grandson of the philosopher Moses Mendelssohn, he was born to a notable Jewish family which later converted to Christianity. His work includes symphonies, concerti, oratorios, piano and chamber music. After a long period of relative denigration due to changing musical tastes and antisemitism in the late 19th and early 20th centuries, his creative originality is now being recognized and re-evaluated. He is now among the most popular composers of the Romantic era.

Mendelssohn was born in Hamburg, Germany, the son of a banker, Abraham Mendelssohn (who later changed his surname to Mendelssohn Bartholdy, and who was himself the son of the German-Jewish philosopher Moses Mendelssohn), and of Lea Salomon, a member of the Itzig family and the sister of Jakob Salomon Bartholdy.

Felix grew up in an environment of intense intellectual ferment. The greatest minds of Germany were frequent visitors to his family's home in Berlin, including Wilhelm von Humboldt and Alexander von Humboldt. His sister Rebecca married the Belgian mathematician Lejeune Dirichlet.

Felix probably made his first public concert appearance at the age of nine, when he participated in a chamber music concert accompanying a horn duo.[6] He was also a prolific composer from an early age. As an adolescent, his works were often performed at home with a private orchestra for the associates of his wealthy parents amongst the intellectual elite of Berlin. Between the ages of 12 and 14,

Besides music, Mendelssohn's education included art, literature, languages, and philosophy. He was a skilled artist in pencil and watercolour, he could speak (besides his native German) English, Italian, and Latin, and he had an interest in classical literature

In 1835, Felix was appointed as conductor of the Leipzig Gewandhaus Orchestra. This appointment was extremely important for him; he felt himself to be a German and wished to play a leading part in his country's musical life.

Mendelssohn married Cecile Jeanrenaud, the daughter of a French Protestant clergyman,[20] on March 28, 1837. The couple had five children

Mendelssohn suffered from bad health in the final years of his life, probably aggravated by nervous problems and overwork, and he was greatly distressed by the death of his sister Fanny in May 1847. Felix Mendelssohn died later that same year after a series of strokes, on November 4, 1847, in Leipzig. His grandfather Moses, his sister Fanny and both his parents had died from similar apoplexies.[29] His funeral was held at the Paulinerkirche and he is buried in the Trinity Cemetery in Berlin-Kreuzberg.



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    • Choral works

      The two large biblical oratorios, St Paul in 1836 and Elijah in 1846, are greatly influenced by Bach. From the unfinished oratorio, Christus, the chorus "There Shall a Star Come out of Jacob" (which together with the preceding recitative and male trio comprises all of the existing material from that work) is sometimes performed.

      Strikingly different is the more overtly 'romantic' Die erste Walpurgisnacht (The First Walpurgis Night), a setting for chorus and orchestra of a ballad by Goethe describing pagan rituals of the Druids in the Harz mountains in the early days of Christianity. This remarkable score has been seen by the scholar Heinz-Klaus Metzger as a "Jewish protest against the domination of Christianity".

      Mendelssohn also wrote many smaller-scale sacred works for unaccompanied choir and for choir with organ. Some were written, and most have been translated into English, and remain highly popular. Perhaps the most famous is Hear My Prayer, with its second half containing 'O for the Wings of a Dove', which became extremely popular as a separate item. The piece is written for full choir, organ, and a treble or soprano soloist who has many challenging and extended solo passages. As such, it is a particular favourite for choirboys in churches and cathedrals, and has perhaps been recorded more than any other treble solo.

      The hymn tune Mendelssohn?an adaptation by William Hayman Cummings of a melody from Mendelssohn's cantata Festgesang?is the standard tune for Charles Wesley's popular hymn Hark! The Herald Angels Sing. This extract from an originally secular 1840s composition, which Mendelssohn felt unsuited to sacred music, is thus ubiquitous at Christmas.

      Songs

      Mendelssohn wrote many songs, both for solo voice and for duet, with piano. Many of these are simple, or slightly modified, strophic settings. Such songs as Auf Flugeln des Gesanges ("On Wings of Song") became popular.

      A number of songs written by Mendelssohn's sister Fanny originally appeared under her brother's name; this was partly due to the prejudice of the family, and partly to her own diffidence.

            

Jakob Ludwig Felix Mendelssohn Bartholdy, born, and generally known in English-speaking countries, as Felix Mendelssohn[1] (February 3, 1809 ? November 4, 1847) was a German composer, pianist, organist and conductor of the early Romantic period.

The grandson of the philosopher Moses Mendelssohn, he was born to a notable Jewish family which later converted to Christianity. He was recognised early as a prodigy, but his parents were cautious and did not seek to capitalise on his abilities. Indeed his father was disinclined to allow Felix to follow a musical career until it became clear that he intended to seriously dedicate himself to it.[2]

Early success in Germany was followed by travel throughout Europe; Mendelssohn was particularly well received in England as a composer, conductor and soloist, and his ten visits there, during which many of his major works were premiered, form an important part of his adult career. His essentially conservative musical tastes however set him apart from many of his more adventurous musical contemporaries such as Liszt, Wagner and Berlioz. The Conservatoire he founded at Leipzig became a bastion of this anti-radical outlook.

Mendelssohn's work includes symphonies, concerti, oratorios, piano and chamber music. He also had an important role in the revival of interest in the music of J. S. Bach. After a long period of relative denigration due to changing musical tastes and antisemitism in the late 19th and early 20th centuries, his creative originality is now being recognized and re-evaluated. He is now among the most popular composers of the Romantic era.

 

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Year Schedule of My Next stages

Feb.9,2008(Sat) 7pm Brahbms:Ein deutsches Requiem(Meguro persimmon)
Msy 10,2008(Sat) 7PM(Suginami Koukaido-Ogikubo) Rossini:Petite Messe Solennenlle

 For discouted tickets availableメール アイコンMail



    

Finished Concerts(Main ones)

Feb.9,2008(Sat) 7pm Brahbms:Ein deutsches Requiem(Meguro persimmon)
 
Nov.2,2007 Mozart :Requiem(St.Luke International Chapel)
Feb.9,2008(Sat) 7pm Brahbms:Ein deutsches Requiem(Meguro persimmon)
Msy 10,2008(Sat) 7PM(Suginami Koukaido-Ogikubo) Rossini:Petite Messe Solennenlle

 For discouted tickets availableメール アイコンMail


2007 St.Luke's International Hospital, Chapel Choir
 Summer Concert Program
Date: Aug.26(Sun) 2007 arround 10:30 after the Service

Place: Karuizawa Shaw Memorial Chapel
Program:1) Locus iste A.Bruckner 2) Tantum ergo A.Bruckner 3) Virga esse A.Bruckner
4) Jesu dulcis memoria T.L.Victoria 5) Panis angelicus G.P.Palestrina 7) Above all praise F.Mendelssohn Etc.


Karuizawa Shaw Memorial Chapel

5/12(Sat)7pm Tokyo International Singers 
Program:Rossini Stabat Mater & Puccini Messa di Gloria
Tokyo new city orchestra
Conducted by: Marcel L'Esperance 
Soprano:Kaori Hirai Mezzo Sop:Machiko Suzuki Tenor:Dominique Morarez Bass:Tetsuo Kitamura
Venue:Meguro Persimmon Hall Tichet Price:¥2,900

3/18(Sun):Schubert Mass No.6 Concert

Conducted by:Bon Fujisaki Senzoku Orchestra 
Venue
 Maeda-hallSenzoku Maeda Hall(SENZOKU MUSIC College) 

By :Senzoku Gakuen college of Music Kanai seminar
Co-By :Franz Schubert Society

 2/18(Sun)Charity Concert 
Program:Schubert Mass No.6、Kyrie,Gloria Sopranos solo,Piano & Organa soloソプラ
Venue:Catholic Saginuma Church 14:30pm Tichet Price:¥2000(To be donated for Church renewal Construction)

 Bruckner 《Mass No.3"Mass in F minor" 》 Brahms Nanie
Feb.10 2007(Sat) at 7:00Pm
Tokyo International Singers With Tokyo City orchestra
Conducted by: Marcel L'Esperance  Venue:New Suginami Hall New Suginami-ku Large Hall

Countdown Concert of Beethoven No.9 at IKSPIARI
19pm in Dec.31 Disney Resort
Directed by Takashi Kinoshita Urayasu City Orchestra
◆Solists◆
Soprano:Toshimi Nagayasu Alto:Tomoko Kasahara Tenor:Izumi Furusawa Bass:Licht Furusawa
Chorus:IKSPIARI CountDown No.9 Chorus Chorus Director:Licht Furusawa

Gloria chapel in ShinagawaMessiah
Dec.5(Tue) at 6pm Venue:Gloria chapel
Program:Oratorio Messiah HWV.56 G.F.Handel
Conducted by:Keizo Fujimoto
St.Luke's International Hospital, Chapel Choir
Summer Concert Program
Date: Aug.27(Sun) 2006 arround 10:30 after the Service

Place: Karuizawa Shaw Memorial Chapel
Program:O saviour of the world(J.Goss&A.Somervell)、
Haec dies(J.Arcadert&W.Byrd)
Ave verum corpus(E.Elgar&W.A.Mozart)


Karuizawa Shaw Memorial Chapel

Prof.KanaiSeminar's Ensemble & Schubert Mass No.6 Concert
July.15(Sat):13:30〜SCHUBERT Choir(Soli)(Will take Solo part together with students)
Program:Schubert Mass No.6 Conductor : Mayumi Motomura
Orchestra :Senzoku Gakuen Orchestra
 
Venue:
 Nissay Theater Pilotis Nissay Theater Performance Schedule
 By :Senzoku Gakuen college of Music Kanai seminar
Co-By :Franz Schubert Society

Quarto Incontro Musicale
Main sponsor;Studiolo(Italian Language School)
EVENING FOR iTALIAN ARIAS AND CANZONE
 
(I SANG Mozart:Dalla sua pace AND Non ti scordar di me
Sept.16(Sun)July 2006  1


MY main repertory



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